Ge Wang | Selected Publications
(also see: CV (full list) | research group publications (MCD) | projects | press clippings)


Book
Wang, G. 2018. Artful Design: Technology in Search of the Sublime (a MusiComic Manifesto). Stanford University Press. (ISBN: 978-1503600522 | book site | mirror site)


micro lecture: "What is Artful Design?" (2019 | 16 minutes)

ChucK •
Programming Language Design
Mulshine, M. R., G. Wang, J. Atherton, C. Chafe, T. Feng, C. Betancur. 2023. “WebChucK: Computer Music Programming on the Web.” New Interfaces for Musical Expression.
(download paper [pdf] | webchuck | IDE)

Feng, T., C. Betancur, M. R. Mulshine, C. Chafe, G. Wang. 2023. “WebChucK IDE: A Web-Based Programming Sandbox for ChucK.” Sound and Music Computing.
(download paper [pdf] | webchuck | IDE)

Chafe, C., Ge Wang, M. R. Mulshine, J. Atherton. 2023. “What Would a Webchuck Chuck?” The Journal of the Acoustical Society of America. 153(3) Supplement A35. https://doi.org/10.1121/10.0018058.

Atherton, J. and G. Wang. 2018. "Chunity: Integrated Audiovisual Programming in Unity." New Interfaces for Musical Expression.
(download paper [pdf] | watch video demo | Chunity site)

Wang, G. and R. Michon. 2016. "FaucK!! Hybridizing the FAUST and ChucK Audio Programming Languages." Sound and Music Computing.
(download article [pdf] | FaucK site)

Wang, G., P. R. Cook, S. Salazar. 2015. "ChucK: A Strongly-timed Computer Music Language." Computer Music Journal. 39(4):10-29.
(download article [pdf] | ChucK site)

Wang, G. 2008. The ChucK Audio Programming Language: A Strongly-timed and On-the-fly Environ/mentality. PhD Thesis, Princeton University.
(thesis site | ChucK site)

Kapur, A., P. R. Cook, S. Salazar, and G. Wang. 2015. Programming for Musicians and Digital Artists: Creating Music with ChucK. Manning Press. (ISBN: 978-1617291708)

Salazar, S. and G. Wang. 2012. "Chugens, Chubgraphcs, and Chugins: 3 Tiers for Extending ChucK." In Proceedings of the International Computer Music Conference. Slovenia.
(download paper [pdf] | ChucK:Extend site)

Fiebrink, R., G. Wang, and P. R. Cook. 2008. "Support for MIR Prototyping and Real-time Applications of the ChucK Programming Language." In Proceedings of the International Conference on Music Information Retrieval. Philadelphia.
(download paper [pdf] | smirk)

Fiebrink, R., G. Wang, and P. R. Cook. 2008. "Foundations for On-the-fly Learning in the ChucK Programming Language." In Proceedings of the International Computer Music Conference." Belfast, Ireland.
(download paper [pdf] | smirk)

Wang, G., R., Fiebrink, and P. R. Cook. 2007. "Combining Analysis and Synthesis in the ChucK Programming Language." In Proceedings of the International Computer Music Conference. Copenhagen.
(download paper [pdf] | UAna)

Salazar, S., G. Wang, and P. R. Cook. 2006. "miniAudicle and ChucK Shell: New Interfaces for ChucK Development and Performance." In Proceedings of the International Computer Music Conference. New Orleans.
(miniAudicle)

Wang, G., P. R. Cook. 2004. "Audicle: A Context-sensitive, On-the-fly Audio Programming Environ/mentality." In Proceedings of the International Computer Music Conference. pp. 256-263. Miami.
(winner: 2004 ICMA Best Presentation Award | audicle)

Wang, G., P. R. Cook. 2003. "ChucK: A Concurrent, On-the-fly Audio Programming Language." In Proceedings of the International Computer Music Conference, pp. 217-225. Singapore.
(winner: 2003 ICMA Best Presentation Award)

Interaction Design
+
Visual Design
+
System Design
Cavdir, D. and G. Wang. 2020. "Felt Sound: A Shared Musical Experience for the Deaf and Hard of Hearing." New Interfaces for Musical Expression.
(winner: 2020 Pamela Z Award for Innovation, Diversity and Inclusion
download paper [pdf] | watch presentation video | project page)

Cavdir, D. and G. Wang. 2022. "Designing Felt Experiences with Movement-based, Wearable Musical Instruments: From Inclusive Practices Toward Participatory Design." Wearable Technologies, 3, E19. Cambridge University Press.
(download article | pdf | project page)

Atherton, J. and G. Wang. 2020. "Doing vs. Being: A Philosophy of Design for Artful VR." Journal of New Music Research. 49(1):35-59.
(download article [pdf] | project page | journal page)

Wang, G. 2019 "Humans in the Loop: The Design of Interactive AI Systems." Stanford Human Centere Artificial Intelligence.
(HAI article [pdf] | Medium article [pdf])

Wang, G. 2016. "Some Principles of Visual Design for Computer Music." Leonardo Music Journal. Vol. 26. pp.14-19.
(download article [pdf])

Bryan, N. J., G. J. Mysore, and G. Wang. 2014. "ISSE: An Interactive Source Separation Editor." ACM Human Factors in Computing Systems (CHI), Toronto.

Bryan, N., G. Mysore, G. Wang. 2013. "Source Separation of Polyphonic Music with Interactive User-Feedback on a Piano-Roll Display." In International Society for Music Information Retrieval Conference (ISMIR). Brazil.

Oh., J. and G. Wang. 2013. "LOLOL: Laugh Out Loud On Laptop."In Proceedings of the International Conference on New Interfaces for Musical Expression. Seoul.
(download paper [pdf] | video demo)

Cerqueira, M., S. Salazar, and G. Wang. 2013. "SoundCraft: Transducing Starcraft 2." In Proceedings of the International Conference on New Interfaces for Musical Expression. Seoul.

Oh., J. and G. Wang. 2012. "Evaluating Crowd-sourcing through Amazon Mechanical Turk as a Technique for Conducting Music Perception Experiments." In Proceedings of the International Conference of Music Perception and Cognition. Thessaloniki.

Rotondo, M., N. Kruge, and G. Wang. 2012. "Many-Person Instruments for Computer Music Performance." In Proceedings of the International Conference on New Interfaces for Musical Expression. Pittsburgh.

Carlson, C. and G. Wang. 2012. "Borderlands: An Audiovisual Interface for Granular Synthesis." In Proceedings of the International Conference on New Interfaces for Musical Expression. Pittsburgh.

Bryan, N. and Wang, G. 2011. "Musical Influence Network Analysis and Rank of Sample-based Music." In Proceedings of the International Conference on Music Information Retrieval. Miami.
(download paper [pdf])

Wang, G., P. R. Cook. 2004. "On-the-fly Programming: Using Code as an Expressive Musical Instrument." In Proceedings of the International Conference on New Interfaces for Musical Expression. Hamamatsu, Japan.
(download paper [pdf] | site)

Misra, A., G. Wang, and P. Cook. 2007. "Musical Tapestry: Re-composing Natural Sounds." Journal of New Music Research. 36(4):241-250. (Winner: 2006 ICMA Swets & Zietlinger Distinguished Paper Award)
(download article [pdf] | tapestrea)

Fiebrink, R., G. Wang, and P. R. Cook. 2007. "Don't Forget the Laptop: Using Native Input Capabilities for Expressive Musical Control." In Proceedings of the International Conference on New Interfaces for Musical Expression. New York.
(download paper [pdf] | S.M.E.L.T.)

Misra, A., Wang, G., and P. R. Cook. 2005. "SndTools: Real-time Audio DSP and 3D Visualization." In Proceedings of the International Computer Music Conference, Barcelona.
(sndtools | sndpeek)

Wang, G., A. Misra, A. Kapur, and P. R. Cook. 2005. "Yeah ChucK It! => Dynamic Controllable Interface Mapping.". In Proceedings of the International Conference on New Interfaces for Musical Expression. Vancouver.

Kapur, A., G. Wang, P. Davidson, P. Cook. 2005. "Interactive Network Media: A Dream Worth Dreaming?" Organized Sound. 10(3): 209-219.

Caceres, J., R. Hamilton, D. Iyer, C. Chafe, and G. Wang. 2008. "China on the Edge: Explorations in Network-based Performance." In Proceedings of the International Conference on Digital Arts (ARTECH). Porto, Portugal.

Toy & Game Design •
Expressive Mobile Music
Michon, R., J. O. Smith, M. Wright, C. Chafe, J. Granzow, and G. Wang. 2017. "Mobile Music, Sensors, Physical Modeling, and Digital Fabrication: Articulating the Augmented Mobile Instrument." Applied Science. 7(12).
(download article [pdf])

Wang, G. 2016. "Game Design for Expressive Mobile Music." New Interfaces for Musical Expression.
(download paper [pdf])

Wang, G., S. Salazar, J. Oh, and R. Hamilton. 2015. "World Stage: Crowdsourcing Paradigm for Expressive Social Mobile Music." Journal of New Music Research. 44(2):112-128.
(download article [pdf])

Wang, G. 2014. "Ocarina: Designing the iPhone's Magic Flute." Computer Music Journal. 38(2):8-21.
(download article [pdf] | web)

Wang, G. 2014. "The World Is Your Stage: Making Music on the iPhone." Oxford Handbook of Mobile Music Studies. S. Gopinath and J. Stanyek Eds. Oxford University Press.

Wang, G., G. Essl, and H. Pentinnen. 2014. "The Mobile Phone Orchestra." Oxford Handbook of Mobile Music Studies. S. Gopinath and J. Stanyek Eds. Oxford University Press.
(MoPhO | MiPhO)

Wang, G., G. Essl, and H. Pentinnen. 2008. "Do Mobile Phones Dream of Electric Orchestras?" In Proceedings of the International Computer Music Conference. Belfast.
(download paper [pdf] | MoPhO | MiPhO)

Oh, J., Herrera, J., Bryan N. J., Dahl, L., and Wang, G. 2010. "Evolving the Mobile Phone Orchestra." In Proceedings of the International Conference on New Interfaces for Musical Expression. Sydney, 2010.
(download paper [pdf] | MoPhO | MiPhO)

Oh, J. and Wang, G. 2011 "Audience Participation Techniques Based on Social Mobile Computing." In Proceedings of the International Computer Music Conference. Huddersfield, UK.
(download paper [pdf] | MoPhO homepage)

Bryan, N. J., Herrera, J., Oh, J., and Wang, G. 2010. "MoMu: A Mobile Music Toolkit." In Proceedings of the International Conference on New Interfaces for Musical Expression. Sydney 2010.
(download paper [pdf] | toolkit)

Bryan, N. and Wang, G. 2011. "Two Turntables and a Mobile Phone." In Proceedings of the International Conference on New Interfaces for Musical Expression. Oslo, Norway.
(download paper [pdf])

Hamilton, R., Smith, J., and Wang, G. 2011. "Social Composition: Musical Data Systems for Expressive Mobile Music." Leonardo Music Journal Vol. 21. pp.57-64.

Wang, G., G. Essl, J. Smith, S. Salazar, P. Cook, R. Hamilton, R. Fiebrink, J. Berger, D. Zhu, M. Ljungstrom, A. Berry, J. Wu, T. Kirk, E. Berger, J. Segal. 2009. "Smule = Sonic Media: An Intersection of the Mobile, Musical, and Social." In Proceedings of the International Computer Music Conference. Montreal.

Wang, G. 2016. "Improvisation of the Masses: Anytime, Anywhere Music." Oxford Handbook of Improvisation Studies. G. Lewis and B. Piekut Eds. Oxford University Press. (forthcoming)

Laptop Orchestra
Atheron, J. and G. Wang. 2020. "Curating Perspectives: Incorporating Virtual Reality into Laptop Orchestra Performance." New Interfaces for Musical Expression.
(download paper [pdf] | watch presentation video)

Cavdir, D., J. Sierra, G. Wang. 2019. "Taptop, Armtop, Blowtop: Evolving the Physical Laptop Instrument." New Interfaces for Musical Expression.
(download paper [pdf] | watch performance video)

Cavdir, D., R. Michon, and G. Wang. 2018. “The BodyHarp: Designing the Intersection Between the Instrument and the Body.” Sound and Music Computing.
(download paper [pdf] | winner: 2018 Best Student Paper Award)

Meacham, M., S. Kannan, G. Wang. 2016. "The Laptop Accordion." New Interfaces for Musical Expression.
(download paper [pdf] | watch demo video)

Wang, G. 2015. "The Laptop Orchestra." The Routledge Companion to Music, Technology, and Education. A. King, E. Minonides, and A. Ruthmann, Eds. Routledge Publishing.

Wang, G. 2012. "10 Past and Future Lessons of Laptop Orchestra." (Keynote) 1st International Symposium on Laptop Ensembles and Orchestras (SLEO). Baton Rouge.

Wang, G., N. Bryan, J. Oh, and R. Hamilton. 2009. "Stanford Laptop Orchestra (SLOrk)." In Proceedings of the International Computer Music Conference. Montreal.
(download paper [pdf] | SLOrk)

Smallwood, S., D. Trueman, P. R. Cook, and G. Wang. 2008. "Composing for Laptop Orchestra." Computer Music Journal. 32(1):9-25.

Wang, G., D. Trueman, S. Smallwood, and P. R. Cook. 2008. "The Laptop Orchestra as Classroom." Computer Music Journal. 32(1):26-37.

Trueman, D., P. R. Cook, S. Smallwood, and G. Wang. 2006. "PLOrk: Princeton Laptop Orchestra, Year 1." In Proceedings of the International Computer Music Conference. New Orleans.
(PLOrk)


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